謝翔，曾獲多項國際級獎項的演出創作者，其參與的專案涵蓋公共藝術、國際展覽與大型演出等領域。逾十年的經驗中，他在這些專案中發揮內容創作、跨媒體整合與專案管理的能力，形構出一套整體性的藝術語言。
Hsieh, Hsiang is an internationally awarded show creator whose projects span public art, international exhibitions, and large-scale performances. Over more than a decade, he has contributed to initiatives across these domains, bringing together his capabilities in content creation, transmedia practice, and project management to articulate a cohesive artistic language.
保留細節，保留層次
在跨媒體整合中，他將「保留層次」視為重要核心。相較於即時的感官衝擊，他的參與使得專案開啟停頓、沉澱與情緒共鳴的空間。由高度藝術性、一致性所構成的細微變化，成為敘事與情感逐步展開的關鍵點，凸顯他在細節掌控與整體調性協調上的能力。
Keep Detail, Keep Layer
Within his transmedia practice, he foregrounds the preservation of layers as a central principle. Rather than prioritizing immediate sensory impact, his approach allows projects to open space for pause, reflection, and emotional resonance. Subtle variations—formed through a high degree of artistic coherence—become the key points through which narrative and affect gradually unfold, highlighting his skill in managing detail and coordinating overall tone within each project.
引領觀眾進入故事的跨媒體演出
他的創作理念持續探究表演與觀眾之間的關係。在「沉浸式」概念被廣泛使用的時代，他關注如何將觀眾從被動觀看轉向情境化參與，使觀眾能真正進入作品，而不僅僅是旁觀。即便在科技媒介環境中，現場經驗仍具有不可替代的感官力量。他認為，隨著影像疲乏逐漸普遍，聲音、燈光與現場表演應與影像同等重要，凸顯跨媒體整合中多層次感官與敘事效果的掌控。
Transmedia Performances That Draw Audiences into the Story
His creative approach persistently interrogates the relationship between performance and audience. In an era saturated with the rhetoric of immersion, he focuses on how to shift audiences from passive observation toward situated participation, allowing them to truly enter the work rather than merely observe. Even within technologically mediated environments, live experience retains an irreplaceable sensory presence. He believes that, as image fatigue becomes increasingly prevalent, sound, lighting, and live performance should be treated as equally essential alongside visual imagery, highlighting the orchestration of multi-layered sensory and narrative effects within his transmedia practice.
